In coincidental “bookends” of German history, the Kristallnacht events in 1938 would occur 51 years to the day before the Berlin Wall was torn down on Nov. That “Iron Curtain” and the separation of Eastern Bloc countries from the rest of Europe remained until the end of the Cold War. Germany became a divided nation after World War II, with East Germany walled off by the Soviet Union. And the sad thing is that it can happen all around the world.” “People need to be aware of the sights of that time and people need to stand up if something like that is happening again. “I think it is important to talk about it (so) that something like that cannot happen again,” she said. So, she was able to hear about the time from someone who witnessed first-hand the violent antisemitism of that time. Schmidle, a second-year MDiv student, explained she had a close relationship with her grandmother, a young woman during “Nazi Time,” the years that the Nazi Party controlled Germany. In addition to the attacks, Germany stepped up imprisonment of Jewish people in concentration camps under the guise of a popular outcry against a recent assassination of a German embassy official. 9-10, 1938, when Nazi authorities coordinated a massive attack on Jewish businesses, homes, synagogues and cemeteries across Germany and the Reich’s annexed territory in Austria and Czechoslovakia. 10.Įach year, LSTC remembers the night of Nov. LSTC, along with its Center for Christian-Muslim Engagement for Peace and Justice, will sponsor its annual commemoration of Kristallnacht in chapel at 11:15 a.m. Sign up is free! Just click the “Specialty Kits” tab to get the process rolling.As an assistant to worship in LSTC’s Augustana Chapel and one of a handful of German students studying at LSTC, Miriam Schmidle has a unique perspective regarding the seminary’s observation of Kristallnacht, “the night of broken glass.” This means you don’t have to pay more money later if you are only using the kit for you videos or podcasts. Included in your Music Bookend kit is a beginning introduction kit piece, and ending kit piece, an optional music piece that creates a longer ending by snapping the kit piece in front of an ending section for longer end credits, and there is also a matching piece to use in the center of your production as well. The Music Bookends kits have short matching themes to place at the beginning and ending of a non-commercial broadcast production. A very cool and wonderful thing happens when you use a minimum of 7 hit points in your film’s editing the entire Broadcast Advertisement appears to synchronize like a custom made and recorded track.
#MUSIC BOOKENDS PDF#
The whole song technique and the kit pieces technique have a corresponding PDF that suggests places to make edits within your visual product.
#MUSIC BOOKENDS FULL#
You will not be able to use all of a kit’s tracks, simply because you won’t have the room! Think of it as an audio puzzle that has many correct ways to piece together, while leaving left over pieces.Įach kit has as an example track that also doubles as a full track you can use to edit your footage (we give you the exact numbers and science to make it great!), or you may build a wonderful version from the corresponding music kit that can make an impact for the viewer.
#MUSIC BOOKENDS HOW TO#
The White Paper explains how to easily assemble music segments to get a custom sounding piece that matches your commercial footage. Geometry People: Build your music using the pieces from the kit for your chosen song. If you cut to at least 7 of our suggested hit points it will make the music appear to be synchronized throughout the advertisement!
We give a list of great spots to cut/edit, that we call ‘hit points’. You can cut/edit your footage to the music if you want.
#MUSIC BOOKENDS FULL VERSION#
We call our two choices “Algebra People” and “Geometry People”.Īlgebra People: There’s a full version of a song in each kit. Years of experience have shown that people process information in different ways, so music kits can be used from two different perspectives. For ‘Ad Music’ kits each White Paper explains the two choices for how to use a music kit. You don’t have to purchase the kit to take a look! The White Papers (in downloadable PDF’s) each have full descriptions.
We have given a general description of the type of story each song “tells” in order to save you time. All that’s needed is to turn down the ‘gain’ (volume) exactly -5 dB. If you need music that integrates story and music seamlessly and effectively Extravagant Noise is for you! Our “Music Kits” make it easily possible to meet ATSC A/85 Broadcast specification.
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