There were some people that felt the title was a bad idea. If you take the prefix, the Deus Ex, it implies the god out of the machine. Taken from Deus Ex Machina, so all it means is The Machine? I’ve read quite a few interviews with you about this film but I’ve yet to really see anyone ask you about the title itself. It was definitely a highlight out of SXSW for me.
They came to Austin specifically - three of the producers, the guy that shot it, and even some other people. There was quite a few people attached to the film that were there that hadn’t really seen in on the big screen. We had no idea how that film was going to go. There was a great reaction there.Īlex Garland: That was a really good night. The Film Stage: I saw the film back at the Paramount at SXSW. Speaking to Garland’s independent spirit, he’s the one who actually called me directly when the press day for Ex Machina ran late as he was on his way to a meeting with Warner Brothers. So it was with obvious excitement that I got to spend some time with Garland on the phone to talk about his film, how he named it, some oddities that I noticed in the way that Ava appears on screen, and whether collaboration slows down a production which he had an interesting perspective on. Yet Garland and his ensemble have managed to deliver all of this within the realm of a resonant science-fiction narrative that is as brutal and honest in its observations as it is entertaining.” The film, as I mentioned in my review, revolving around a robot “isn’t the normal place to find a rich and thoughtful exploration of patriarchal society, gender identity, seclusion and nature versus nurture. What follows is a twisted mind-game with three players involved where they continually try to best each other.
#Deus ex machina pronunciation android#
The catch here is that Ava is very obviously an android but Nathan is convinced that his creation is brilliant enough to convince Caleb that she has a genuine mind of her own. There, Nathan hopes that Caleb will perform the Turing test-a test given to a computer in a scenario where the person interacting with it has to be convinced it is talking to a human-on Ava ( Alicia Vikander), who is an android. The film follows the brilliant if juvenile billionaire programmer Nathan ( Oscar Isaac) who invites one of his most promising employees, Caleb ( Domhnall Gleeson), to his secluded home/compound. Garland rejects the deification of directors in modern cinema and he’s expressed as much in numerous interviews and even during the Q&A of the film after the U.S. If it was up to Garland, though, he’d share equal credit with his cast and crew. Whether it is films since then like Never Let Me Go, or personal favorite Dredd, Garland’s writing has been behind some of the most interesting genre cinema around and now, with his directorial debut Ex Machina going wide in theaters this weekend, he is finally announcing that he can be more than just a strong writer. He made his name with a splash when his novel was adapted into the backpacking adventure thriller The Beach in 2000 and struck again with screenplay for 28 Days Later which some credit as the fire that helped reignite the zombie resurgence we are experiencing now. Genre film fans are likely familiar with writer Alex Garland‘s output over the last decade and a half.
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